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Archive for the ‘stuff’ Category

Webster’s dictionary

Webster’s dictionary (1806- ), the main dictionary in the US, bears about as much relationship to Noah Webster as a Christian church does to Jesus Christ. “Webster’s” and “Christian” are names in the public domain. They are not trademarks like Apple or Google.

Anyone can call their dictionary a Webster’s – and they do. Random House and Microsoft have both done it. So has Simon & Schuster. Because it is a name people in the US trust – even though it is not a trademark!

What is trademarked are names like “Merriam-Webster” and “Webster’s New World” – but not “Webster’s” itself.

The Merriam brothers bought the copyright to the original, real dictionary of Noah Webster in 1844, but that expired in 1889. They tried to keep others from using the name “Webster’s”, but in vain.

In 1909 a judge told them:

“[The Merriam company] is in no position to deny a purely descriptive use of the word to any other dictionary which is as legitimate as its own. The constant iteration that all such are ‘bogus’ or not ‘genuine’ is merely a childish extravagance.”

In 2019 Merriam-Webster (now owned by Encyclopædia Britannica) is still printing stuff like this in their dictionaries:

“The name Webster alone is no guarantee of excellence. It is used by any number of publishers and many serve mainly to mislead an unwary buyer.

Merriam-Webster™ is the name you should look for when you consider the purchase of dictionaries or other fine reference books. It carries the reputation of a company that has been publishing since 1831 and is your assurance of quality and authority.”

They are good for US English in the late 1900s but not much beyond that. Their 2019 paperback edition does not have coloured (person), plonker or even LOL.

Merriam-Webster is the “real” Webster’s only in a historical sense. In 1961 they completely redid their unabridged dictionary as “Webster’s Third New International Dictionary”. Noah Webster rolled in his grave.

 

Noah Webster’s most notable books:

  • 1783: American Spelling Book – better known as the Blue Backed Speller because of its blue cover (pictured). By 1900 it had sold at least 60 million copies in the US – second only to Holy Scripture itself. Price: $0.14 (= 3.4g of silver).
  • 1806: A Compendious Dictionary of the English Language – made J and V separate letters in their own right (were seen as forms of I and U). Webster, a huge nationalist, made US English spelling different than British English on purpose!!! Mainly by shortening words: color not colour, traveler not traveller, archeology not archaeology, plow not plough, ax not axe, etc. But also stuff like center not centre, and baptize not baptise. Most of the differences in US spelling go back to his nationalistic zeal.
  • 1828: An American Dictionary of the English Language – his magnus opus. He worked on it from age 48 to 70. But at $20 (481g or 16 crowns) it was beyond the reach of the masses, back when most White men made a dollar a day.

In 1844, a year after his death, his family sold his book rights to Charles and George Merriam. In 1847, with the help of Webster’s son-in-law, Chauncey A. Goodrich, they got his dictionary down to $6 (144g or 5 crowns) and made it a hit.

– Abagond, 2019, 2020.

Sources: mainly “The Dictionary Wars” (2019) by Peter Martin; “Spell it Out” (2012) by David Crystal; and “Letter Perfect” (2003) by David Saks.

See also:

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The Bolshoi Ballet (1776- ) in Moscow is one of the oldest and most famous ballet companies in all the world – and they have been doing blackface since at least 1877 in their performances of “La Bayadère”, a classic French-Austrian ballet about India. Feel the high culture!

Vladimir Urin, the director of the Bolshoi Theatre:

“The ballet ‘La Bayadère’ has been performed thousands of times in this production in Russia and abroad, and the Bolshoi Theatre will not get involved in such a discussion [about blackface] …

“Finding some sort of deep insults in this is simply ridiculous … No-one has ever complained to us or saw… an act of disrespect.”

Svetlana Zakharova, a prima ballerina with the Bolshoi:

“There is nothing strange here, it’s absolutely normal for us… this is art.”

White art. She left out the word “White”.

Misty Copeland, the top Black American ballerina in the world, has a different take:

“I get that this is a VERY sensitive subject in the ballet world. But until we can call people out and make people uncomfortable, change can’t happen.”

“It is painful to think about the fact that many prominent ballet companies refuse to hire dancers of colour and instead opt to use blackface.”

As everyone knows, Black people can’t dance. They have no natural rhythm. Or something. That is why it took till 2015 for the American Ballet Theatre to have its first Black American female principal dancer – Copeland herself. It was such a new experience for them that they forgot to give her “The Black Token Handbook”. Fifth Edition, 2009. So she never read Chapter 2, “The Happy Negro”. Or Chapter 3: “Be Seen, Not Heard”. So there she is running wild on Instagram saying things about White people that lack “nuance”.

In the US, ballet is very much the preserve of rich White people. Some of the very same people who seem to think that only working-class Whites are racist. Because racism comes from a lack of education and proper upbringing. Sneer, sneer. And yet for 142 years they never called this stuff out, going on right in front of their eyes.

Wow, okay.

The New York Times, their newspaper of record, said in 2007 of the Bolshoi’s “La Bayadère”:

“I’d like to think that the old tradition of whites in blackface might work again if it was well done (e.g. white actors as Othello, now exceptionally rare in theater), but this looked too ludicrous to be even grotesque.”

Ah yes, the old traditions! Blackface just needs to be done better.

And “La Bayadère” is hardly the only ballet that dehumanizes people of colour.

Meanwhile silly old me assumed that the Bolshoi would never dare do anything like this, not this side of 1968, not if they wanted to perform in the US and have any sort of international respectability. Wow, do I feel like a fool. I should have known better.

People tell me I see racism in everything. But time and again I find myself assuming Whites are less racist than they are.

/rant off

– Abagond, 2019.

Sources: mainly the BBC and Ballet Conrad (33-minute video).

See also:

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My ideas about forgiveness

Before I write posts about Negro forgiveness and Catholic forgiveness, I want to write down my own ideas about forgiveness. A part of me suspects they come not from religion like I think but from slave times, just like my ideas about the police.

The main things to know about forgiveness as I understand it:

  1. God wants you to forgive.
  2. If you do not forgive it will eat you alive.
  3. You need to forgive to move on.
  4. Forgive but do not necessarily forget.

The first one presumably comes from Christianity, the others sound like warmed-over pop psychology.

Christian duty: Forgiveness is right there in the Lord’s Prayer, the prayer that Jesus himself taught:

“And forgive us our trespasses,as we forgive them that trespass against us”

See Matthew 6:14. (That is not quite what Matthew says, but we will pass over that point for this post.)

In other words, you should have a bit of humility, patience and understanding when others do you wrong. That does not mean be a doormat and not stand up for yourself. It means that justice and mercy need to be balanced, one with the other. Justice without mercy is cruel and inhuman, but mercy without justice turns a blind eye to wrongdoing and lets it grow. You should not have a heart of stone, but neither should you have a heart of wet tissue paper. There is a balance.

When to forgive: When someone asks for forgiveness and wants to make things right then you should try to forgive. After all, time will tell how sincere they were.

Even when someone does not ask for forgiveness, you still need to forgive! Not instantly, not right away, but at some point you must. Because otherwise the anger will burn a hole in your heart – and cause more damage than the original wrong. You have to know when to let go, when to cut your losses.

Forgetting: In my experience holding grudges causes more harm than good. My wife and my sister will bring up stuff I did ten years ago. They have a memory a mile long. It is not making me a better person and it is not making them happier either. While they should not forget – knowledge is power! – they need to let it go emotionally. Their anger may have been reasonable, right and useful at first, but at this point it no longer seems to be doing anyone any good. They need to move on. Wait, that sounds familiar!

Historic wrongs and “moving on”: The best model I know of here is South Africa’s Truth and Reconciliation Commission. It needs a post too. As I understand it, a country needs to face up to the wrong it has done and try to set it right as much as possible, but it also needs to reach the stage where it can forgive and move on.

Those are my ideas. How well I but them into practice is a whole other matter!

– Abagond, 2019.

See also:

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Tiwa Savage: Attention

Remarks:

What a sad, sad song! It made me want to post something more upbeat, but if it is that sad then all the more reason to post it!

This counts as part of my British media diet since I heard about its release on British Twitter (I doubt I would have heard about it on US Twitter). Savage herself is from Nigeria but grew up partly in Britain (from age 11 to university), so she is at least something of a Brit, enough to have a perfect British accent, even if she did return to Nigeria.

The song was produced by Blaq Jerzee, also of Nigeria.

See also:

Lyrics: (English/Yoruba)

Yeah, yeah, yeah
Oro re tin sun mi o
Oh na na na ah
Oro re tin sun mi o ah

Baby me tire for dis your matter
It don dey give me a headache o
It be like say we go take a break o, break o
Enough of your promises
You say you gon make it up to me
But you keep getting worse o, worse o
When was the last time you carry me go
Cinema to see a movie?
You don take this thing like play o, play o
And when last you tell me to bend over
Make you jam the ting enter?
I guess you’re giving it to someone else

If you don’t give me quality attention (attention)
(If you don’t give me quality attention)
I might get it from somebody else (‘body else)
(I might get it from somebody else)

If you don’t give me quality attention (attention)
If you don’t give me quality attention
I might get it from somebody else (‘body else)
I might get it from somebody else

O sun mi o
Oro re tin sun mi o
O sun mi o
Oro re tin sun mi o
O sun mi o
Oro re tin sun mi o
O sun mi o
Oro re tin sun mi o

Before na you dey do the caring, calling, texting, chatting
Now na me dey do the things that you used to do
We no longer do the hold on, pick two, last card, check up
Baby I dey discuss games we used to play
Something is missing, something is missing
And I can’t seem to find it, no, no, no, no, no
Something is missing, something is missing
And you better fix it before you make a sista change

If you don’t give me quality attention (attention)
(If you don’t give me quality attention)
I might get it from somebody else (‘body else)
(I might get it from somebody else)

If you don’t give me quality attention (attention)
If you don’t give me quality attention
I might get it from somebody else (‘body else)
I might get it from somebody else

Source: AZ Lyrics.

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British news media guide

Listed from left to right, here are some of the main British news outlets (quoted text from RationalWiki, ratings from Media Bias/Fact Check):

Name: Daily Mirror
Political bias: centre left (pro-Labour, anti-Brexit, anti-Trump)
Fact checking: mixed

Sensational, emotionally loaded headlines, poorly sourced, pictures can be misleading even fake. Favours the Labour Party but not blindly so.

Name: The Guardian
Political bias: centre left
Fact checking: high

“beloved of organically-grown, muesli-wearing, sandal-hugging, tree-eating, disabled, lesbian, atheistic, feminist social workers and teachers … their Internet 24/7 blogorama Comment is Free can be somewhat problematic.” Arguably anti-Semitic and transphobic. Was a fan of WikiLeaks till 2016 when it started to hurt Hillary Clinton.

Name: The Independent
Political bias: centre left
Fact checking: high

Owned by a Russian billionaire and has strong links to the Saudi government. Stories lean left but are properly sourced.

Name: BBC
Political bias: centre left
Fact checking: high

“Over the years, the BBC has been accused of being anti-war, pro-war, left-wing, right-wing, socialist, liberal, and when all else fails, simply wasteful. Previously, it was being extremely Anglocentric, although that record has improved. … its coverage of the British royal family tends towards the fawning”. Run by the British government.

Name: The Economist
Political bias: centre
Fact checking: high

“classically liberal, advocating free markets, a social safety net, and personal freedom. They favor globalization, free trade, and increased spending on healthcare and education, as well as drug legalization and gay marriage. Historically, they have endorsed both Republicans and Democrats in US elections, as well as both Tories and Labourites in UK elections.”

Name: The Times
Political bias: centre right (anti-Trump)
Fact checking: high

Known as the Times of London in the US. Has been both pro and anti-Brexit; has endorsed both Tory and Labour. This is the newspaper that Winston Smith worked for in “1984” and Fowler’s quotes. About as establishment as you can get.

Name: Daily Telegraph
Political bias: right (Tory, Thatcherite)
Fact checking: mixed

“While the main reporters of the Telegraph show a candid, but restrained, support for the Conservative Party, their columnists certainly rival their counterparts at the Daily Mail for wingnuttery, with a raving disdain for the European Union and skepticism about climate change (one of their bloggers is notable denier James Delingpole).”

Name: The Sun
Political bias: right (Tory, aggressively nationalistic)
Fact checking: mixed

“Due to being full of lies, damned lies, and until recently topless women, it is Britain’s most popular birdcage liner. It is completely vile – although people do tend to take it far less seriously than, say, The Daily Mail, mainly because a substantial part of its readership only look at the sport pages”.

Name: Daily Mail
Political bias: right (Tory, pro-Brexit)
Fact checking: low

“gossipy tabloid ‘journalism’ for those who cannot digest serious news, with a flippantly wingnut editorial stance.” Right-wing propaganda.

Name: Daily Express
Political bias: right (UKIP-ish)
Fact checking: mixed

“Many articles are based entirely on one unhinged or uninformed individual’s opinions on the internet, rather than anything usually regarded as important, like facts.”

– Abagond, 2019.

See also:

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Remarks:

In 1982 this song did not chart in Canada but otherwise went to #33 across the Anglosphere (weighted average).

I remember the Flock of Seagulls from MTV in the 1980s, but I cannot say I remember this song in particular. Their songs sounded alike to me. But this one I have been playing to death after YouTube recommended it to me the other day in 2019.

The video comes from “Career Opportunities” (1991), a John Hughes beauty-and-the-nerd joint that uses the song. It stars Jennifer Connelly (at age 18), Frank Whaley, and a Target store in the middle of the night in Decatur, Georgia in November 1989. That was 30 years ago. It is like looking back through the well of time.

In a month 2000 will be 20 years ago.

See also:

Lyrics:

I saw your eyes
And you made me smile
For a little while
I was falling in love

I saw your eyes
And you touched my mind
Although it took a while
I was falling in love

I was falling in love

I saw your eyes
And you made me cry
And for a little while
I was falling in love

I was falling in love

Falling in love
Falling in love
Falling in love
Falling in love

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Britishwashing

David Oyelowo and Carmen Ejogo as Martin Luther and Coretta Scott King in “Selma” (2014).

Britishwashing (fl. 2013- ) is where a British actor plays a non-British character. It is done not just in Britain, as you might expect, but even in the US by Hollywood!

British actors have played:

  • White American characters like Abraham Lincoln, Batman, Superman, Spiderman, Richard Nixon, Andy Warhol, Hank Williams, etc.

and

  • Black American characters like Martin Luther King, Coretta Scott King, Harriet Tubman, the lead characters in “12 Years a Slave” (2013), “Get Out” (2017), “Queen & Slim” (2019), etc. And, coming soon, Barack Obama and Fred Hampton.

Americanwashing: To be sure, Black Americans have played Africans, like Nelson Mandela and Idi Amin. And Jamaicans, cringily. But two wrongs hardly make a right.

Cheaper, better: British actors are seen as more highly trained – just ask Black American directors Ava DuVernay or Spike Lee! And, like immigrants in any field, British actors often work for less money. Ka-ching!

Ava DuVernay on British actors:

“I think there’s something about the stage, because they have that stage preparation. Their work is really steeped in theater. Our system of creating actors is a lot more commercial … there’s a depth in the character building that’s really wonderful.”

In her film “Selma” (2014) she had British actors play Martin Luther King, Coretta Scott King – and President Johnson!

Carmen Ejogo, who played Coretta Scott King, said:

“I’m not as entrenched in the history so immediately. […] I didn’t know who Coretta was until I played her the first time. […] It wasn’t as daunting as it might have been for an American actress. An African-American actress … that might have been a bit more of a challenge.”

David Oyelowo, who played Martin Luther King opposite her, made the same point:

“There’s something to be said for the fact that we are able to come at these films clean.”

David Harewood, a British actor who played Martin Luther King on stage, agreed:

“[British actors are able] to unshackle ourselves from the burden of racial realities – and simply play what’s on the page.”

In short, they can play Black Americans better than even Black Americans themselves – because they lack the lived experience of being Black American!

Acting, like singing, is more than mere technique.

Representation matters: Unlike Whites, Black Americans are not in control of their media image. Hollywood both under-represents and misrepresents them, strengthening stereotypes and racism. Having Black Americans played by foreigners on top of that adds insult to injury. It is not as bad as Whitewashing or blackface, but it is in that direction.

Piece of the pie: I want to see Black British actors succeed. I like Idris Elba, Sophie Okonedo and Freema Agyeman, for example. But Black Britain is equal in size to only 5% of Black America and yet they seem to be getting much more than 5% of the leading Black characters.

Fighting over crumbs: The deeper issue is the under-representation and misrepresentation of Blacks, of any sort. What all this boils down to, in effect, is fighting over who gets to tap dance for White Hollywood.

– Abagond, 2019.

Update (December 16th): Removed Steve Jobs as an example of a White American portrayed by a British actor. Michael Fassbender, who played him in “Steve Jobs” (2015), has an Irish mother, not a British one.

See also:

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Beautiful, Black and British – here is my top ten. Strictly my opinion, of course. And limited by the fact that I live in the US.

1. Gugu Mbatha-Raw (1983- ), actress, South African and English descent. I saw her in “Belle” (2013). She looked like she was from heaven.

2. Naomi Campbell (1970- ), supermodel, Jamaican descent, her great grandmother was Hakka (Chinese). She is the only fashion model to make the list. Most models look and act robotic. She does not.

3. Sade (1959- ), singer, Yoruba (Nigerian) and English descent. She is my favourite singer of all time. She looks like a princess from a storybook.

4. Charmaine Sinclair (1971- ), porn model, Jamaican and Portuguese-Indian descent. I remember her from the 1990s. How could I forget: she is the most beautiful porn model I have ever seen.

(Photo by: Michele K. Short/NBC/NBCU Photo Bank via Getty Images)

5. Freema Agyeman (1979- ), actress, Ghanaian and Iranian descent. I loved her on British television in “Doctor Who” and “Law & Order: UK” in the late 2000s. She is now on US television in “New Amsterdam” in the late 2010s and is even more beautiful – at age 40! I am not sure if it is the hair, the Hollywood make-up, a subtle Americanization of her looks, or what.

6. Temi DollFace (1992?- ), singer, born in Nigeria, grew up in Britain, and says she is “Yoruba, Igbo, West Indian and a hint of Scottish”. I like her song “Pata Pata” (2013).

7. Lianne La Havas (1989- ), singer, Jamaican and Greek descent. John McWhorter says that because of the Mammy stereotype I am a sucker for “low-key, dreamy black women”. She is one of those (so is Sade). I am not generally into La Havas’s music, but it does help her to come across that way. I posted her beautiful cover of “Starry Starry Night” (2017).

8. Annie Ruddock (1963- ) was the lead singer of the ska band Amazulu back in the 1980s. See her in “Excitable” (1985).

9. Estelle (1980- ), singer, Senegalese and Grenadian descent. I loved her from the first moment I saw her in 2007.

10. Sophie Okonedo (1968- ), singer, Nigerian and Jewish descent. I adored her in “Skin” (2008).

Honourable mentions: Jorja Smith, Princess, Des’ree, Christine Adams, Leomie Anderson.

Also-rans:

  • Marsha Thomason – she should probably be on this list, but I forget what she looked like in the 2000s when I named her one of the most beautiful Black women in the world.
  • Iman, Alek Wek and Thandie Newton – White people seem to think they are beautiful. I am less entranced.
  • Meghan Markle and Sabrina Dhowre – they seem better looking than they are because of who they are married to (Prince Harry and Idris Elba, respectively). So does Michelle Obama, I notice. I tried to separate that out, but maybe I erred on the side of caution.

Technical terms:

  • Black – anyone who is at least part African (One Drop Rule).
  • British – means anyone born in Britain or who calls it home.
  • Beautiful – means according to my own personal, Americanized taste, which in turn is affected by stuff like charm, glamour, photogenicity and Hollywood make-up artistry. It favours actors and singers over models since more of their personality comes through.

– Abagond, 2019.

Sources: All images are from Google Images in 2019.

See also:

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Programming note #40

For December 2019 I will be on a British media diet. That means all the books, magazines, news and tweets I read, all music or radio I listen to, and all the films, television and YouTube I watch must be from Britain or a British source – unless said media item is directly work-related or blog-related.

It is something I have wanted to do for a while. And since an important part of my regular media diet does come from Britain, it would be good to gain some perspective on that.

Britain is in the throes of the Brexit debacle and has a general election next week (December 12th), so this is as good a time as any.

Specifics:

  • Books: at least four. I am open to suggestions. I am thinking of:
    • Jane Austen: Sense and Sensibility (1811)
    • C.S. Lewis: The Abolition of Man (1943)
    • Zadie Smith: Swing Time (2016)
    • Miranda Kaufmann: Black Tudors (2017)
  • Magazines: The Economist.
  • Music and radio: Virgin Radio UK, any British artist, like Sade, any song from Shazam’s list of top tracks for London (or anywhere else in Britain).
  • Film: “Melody” (1971) and any other old British film I can find on YouTube. At least four altogether.
  • Television: BBC America, any television show from Britain.
  • News: BBC, The Economist, The Independent.
  • YouTube: Only channels or content from Britain. So much of the YouTube I watch is in North American accented English that I can think of only two British channels off the top of my head (BBC and Novara).
  • Twitter: Create a new account (@abagond_uk) and follow only people from Britain. That exercise has already shown me how much Twitter uses my gender and IP address: my empty Twitter was full of stuff about local sports, none of which I follow.
  • Web location: I will try to set this to London wherever possible. But I know from past experience that whatever you set in your “personal” settings, it will still use your IP address anyway to “personalize” (filter) your experience. Translation: No matter what I do I will still get US ads. Flo is inescapable! Bwa-ha-ha!!!!!!

Flo of Progressive car insurance, circa 2017.

Note: This is more determinedly British than the media diet of actual people who live in Britain, who, after all, watch Hollywood films and use US websites. But the US media is such a blinding supernova in my sky that I doubt I will be able to shut it out completely, especially with all the auntyesque “personalization” the Internet does. All the more reason to shut it out as much as possible.

I have not forgotten Programming Note #38 on Black history. I still think it is a wonderful idea. So, I hope to do the centuries as follows:

  • December: 1500s
  • January: 1600s
  • February: 1700s
  • March: 1800s
  • April: 1900s

Suggestions are welcomed. In particular, if there is some news story I seem not to know about that I should do a post on, please let me know. I am not going to limit research for particular posts to just British sources.

– Abagond, 2019.

See also:

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Donna Summer: Heaven Knows

Remarks:

This is my favourite Donna Summer song that was out in 1979. She had three #1 hits in the US that year. This was not one of them. It “only” went to #4 on the US pop chart, #10 on the R&B chart and #9 across the Anglosphere (weighted average).

She sings this song with the band Brooklyn Dreams. She toured with them and a year later married their songwriter, Bruce Sudano.

See also:

Lyrics:

Baby please (baby please)
Please don’t take your love from me
(Please don’t take your love from me)
I am yours for ever more (ever more)
Till eternity

Silence please (so silently)
Listen to the words I say
(Listen to the words I say)
I’m not talking just for play
(Just for play)
Listen to me please
(Won’t you listen to me)

Heaven knows
It’s not the way it should be
And heaven knows
It’s not the way it could be
and don’t you know
There’s no need to leave
Heaven knows
I never wanna leave you
Heaven knows
I only wanna please you
Don’t you know
Love is what I need

Down inside (down inside)
Don’t get caught with foolish pride
(Don’t get caught with foolish pride)
Blow the other things aside (things aside)
It’s only you and me
(You and me, you and)
Believe in us (believe in us)
We were always meant to be
(Always meant to be)
Me for you and you for me (you for me)
Till eternity (’til eternity)

Heaven knows
It’s not the way it should be
And heaven knows
It’s not the way it could be
And don’t you know
There’s no need to leave
Heaven knows
I never wanna leave you
Heaven knows
I only wanna please you
Don’t you know
Love is what I need

[Instrumental Interlude]

Heaven knows
It’s not the way it should be
And heaven knows
It’s not the way it could be
And don’t you know
There’s no need to leave
Heaven knows
I only wanna love you
And heaven knows
I never wanna lose you
Don’t you know
Love is meant to be

Heaven knows
It’s not the way it should be
And it’s not your style
So stop with the pretending
So come on down
And hear me when I cry
Heaven knows
It’s not the way it should be
And it’s not your style
So stop with the pretending
So come on down
And hear me when I cry

Source: AZ Lyrics.

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Squanto

Kalani Queypo as Squanto in “Saints & Strangers” (2015).

Tisquantum (c. 1585-1622), better known as Squanto, was the Wampanoag Indian who taught the Pilgrim Fathers how to live in North America. He is easily one of the most famous Natives of US history, up there with Pocahontas, thanks to his part in the Story of Thanksgiving, a White American foundation myth.

Pilgrim governor William Bradford:

“Squanto continued with them, and was their interpreter, and was a special instrument sent of God for their good beyond their expectation. He directed them how to set their corn, where to take fish, and to procure other commodities [maple syrup, deer, pumpkins, eels, etc], and was also their pilot to bring them to unknown places for their profit, and never left them till he died.”

He also tried to teach them how to bathe – the Pilgrims smelled – but with little success.

The Three Sisters: He taught them how to plant maize, squash and beans. That came from Mexico by way of the Mound Builders. He also taught them to use fish as fertilizer – a trick he learned when he was in Europe. Which just shows how little the Pilgrims knew about farming.

Peace: He helped to make peace between the Pilgrims and neighbouring Native Americans, a peace that the First Thanksgiving celebrated in 1621 and which held more or less till 1675.

Amazingly:

  1. Squanto spoke fluent English, having lived in England for several years. He was a man of both worlds, Native and White.
  2. A plague had wiped out 90% of Native Americans within 65 km of the New England coast between 1616 and 1619, allowing Whites to get a toehold (previous attempted colonies, even by Champlain, had been driven out).

The plague struck just when Tisquantum was in England. And he was in England only because Catholic priests saved him from being sold into slavery in Spain in 1614 by an English fisherman. By 1610 the English were regularly fishing off the coast of New England in the summers.

In 1619, when Tisquantum at long last arrived back at his home town of Patuxet after five years, no one was there. Nearly everyone he knew had died of the plague. Only later did he meet the few who had lived to flee inland.

In 1620, a year later, a ship arrived at Patuxet from England: the Mayflower. On Christmas Day the Pilgrims started to build their first house – right in his old town of Patuxet, which they called Plymouth.

In 1621 in March Tisquantum appeared. He had been sent by Massasoit, head of the Wampanoag confederacy, to make an alliance. Massasoit was not sure where Tisquantum’s loyalties lay – with the Wampanoags or with the English. He was right to be suspicious: Tisquantum later tried (but failed) to use the Pilgrims to overthrow him.

In 1622 Tisquantum “fell sick of an Indian fever, bleeding much at the nose”, according to Bradford. A few days later he was dead, having asked for prayers “that he might go to the Englishmen’s God in heaven”, a god widely seen as a potent deity because of the plague.

– Abagond, 2019.

See also:

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Remarks:

This came out last month. YouTube keeps recommending it to me. I assume that that is just hype, but she has in fact appeared in this space before. She was a writer and producer on Beyonce’s song “No Angel” (2013). Presumably she is why that song has a neo-1980s synth-pop sort of sound to it.

See also:

Lyrics:

[Intro]
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah
Ah, ah, ah

[Verse 1]
Not like I’m counting the days (Ah, ah, ah)
But it’s been twenty-five (Ah, ah, ah)
You’re out there killing the game (Ah, ah, ah)
But damn, I miss you tonight (Ah, ah, mmm)

[Pre-Chorus]
And I’m out at a party, they’re playing our song
I cry on the dance floor, it’s so embarrassing
Don’t send me photos, you’re making it worse
‘Cause you’re so hot it’s hurting my feelings

[Chorus]
I get a little lonely
Get a little more close to me
You’re the only one who knows me, babe
So hot you’re hurting my feelings (Woo)
Can’t deal

[Verse 2]
With all the X-rated dreamin’ (Ah, ah, ah)
Back on the coast-to-coast life (Ah, ah, ah)
You know I live for the hustle (Ah, ah, ah)
But damn, I miss you tonight (Ah, ah, mmm)

[Pre-Chorus]
And I’m out at a party, they’re playing our song
I cry on the dance floor, it’s so embarrassing
Don’t send me photos, you’re making it worse
‘Cause you’re so hot it’s hurting my feelings

[Chorus]
I get a little lonely
Get a little more close to me
You’re the only one who knows me, babe
So hot you’re hurting my feelings (Woo)
Can’t deal

[Non-Lyrical Vocal Bridge]

[Pre-Chorus]
And I’m out at a party, they’re playing our song
I cry on the dance floor, it’s so embarrassing
Don’t send me photos, you’re making it worse
‘Cause you’re so hot it’s hurting my feelings

[Chorus]
I get a little lonely
Get a little more close to me
You’re the only one who knows me, babe (Only one who knows me, babe)
So hot you’re hurting my feelings (Woo)
Can’t deal
So hot you’re hurting my feelings (Woo)
Can’t deal (Woo)
So hot you’re hurting my feelings (Woo)
Can’t deal (Woo)
So hot you’re hurting my feelings (Woo)
Can’t deal

Source: Genius Lyrics.

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gender identity

Gender identity is your sense of yourself as male or female or something else.

Terms:

  • Sex is physical, between your legs. It is generally based on genitals and is assigned at birth by a doctor. Genitals are not always as clear-cut as you might think – especially if the doctor messes up the circumcision! Someone who seems to belong to both sexes is called intersex (fka hermaphrodites).
  • Gender is psychological, between your ears. It is what you consider yourself to be. For cisgender people this matches their sex assigned at birth, for transgender people (fka transsexuals) it does not.

Gender identity is not the same as gender expression or sexual orientation. For example, butch lesbians are attracted to women (sexual orientation) and often dress and act in a more masculine way (gender expression), but still see themselves as women (gender identity).

Third genders: Many cultures have more than just two genders. There are the hijra in India, two-spirit in Native America, fa’afafine in the South Pacific, kathoey in Thailand, etc. In the US some people are non-binary or genderfluid. Facebook allows for 71 genders.

Old as dirt: There have been transgender people way before Caitlyn Jenner came out in 2015. Like at least 5,000 years before: in the Czech Republic archaeologists discovered a male skeleton buried as a woman.

Not as simple as XX and XY chromosomes: Even the Olympics no longer uses a chromosome test. There is not just XX and XY but also XXY, XYY, X, Complete Androgen Insensitivity Syndrome (CAIS), 5-alpha-reductase deficiency, Swyer syndrome (aka 46,XY), 17-β-Hydroxysteroid dehydrogenase III deficiency, Progestin-induced virilization, and on and on. You can even be both XX and XY at the same time! Caster Semenya, the South African runner, is 46,XY.

Gender identity is not a choice. According to the American Psychological Association there is no known conversion therapy that can get someone to change their gender identity. Attempts to do so lead to high rates of self harm and suicide. Just ask David Reimer. That is why transgender people are allowed to take hormones and get surgeries to change their body to better fit their gender identity.

Causes: No one knows what causes gender identity. The current science supports, but does not yet prove, that it comes from the level of testosterone the brain receives while still in the womb. Because the brain forms later than the genitals, there can be a mismatch between brain and genitals – thus transgender people. That is a useful way to think about it, but it is not as simple as just that because there is:

No such thing as a female or male brain: There are plenty of measurable differences between male and female brains. But they all boil down to the averages of ranges that overlap. It is just like with height: sure, men are taller than women – on average – but that hardly means you can tell someone’s gender from their height. So with brains: scientists cannot tell a female brain apart from a male one.

– Abagond, 2019.

Source: mainly genderbread.org and “Everything You Ever Wanted to Know about Trans” (2018) by Brynn Tannehill.

See also:

574

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Oxyrhynchus

P. Oxy. 1 – Oxyrhynchus papyrus #1 – part of the lost Gospel of Thomas.

Oxyrhynchus (fl. AD 100-600), which sounds like “lots of wrinkles” to the YouTube captioner, was the third largest city in Roman Egypt. Only one column of it is left standing, the rest having been used to build the Arab town of el Bahnasa. But like Pompeii it is one of the best known towns of the Roman Empire – because out in the desert are its old city dumps, mounds of rubbish covered in sand, containing the biggest find of Roman and Byzantine documents ever.

Alexandria was at least ten times bigger and had the largest library in the world – but all that remains are a few scraps of paper.

Oxyrhynchus, meanwhile, has left behind some 500,000 papyrus documents: tax returns, census records, court records, business accounts, business letters, personal letters, contracts, marriage certificates, books, schoolwork, porn, horoscopes, memoirs, etc. Even a contract to throw a boxing match. Anything you can think of that would be written down is there, and in quantity. You can even see the move from scrolls to bound books (the codex) between the years 200 and 400.

Almost all of it is in Greek, then the language of government and education, though some is in Latin, Coptic, Aramaic, etc.

Only 5,000 documents have been published so far. Most of the other 495,000 or so sit in boxes at Oxford University (some in Egypt), much of it looking like large cornflakes (pictured above).

Oxyrhynchus was called Per-Medjed in Ancient Egyptian, capital of the 19th nome. Both names mean Elephantfish in English, named for a sacred fish that no one there would eat. Its theatre could seat 13,000, a third of the town. Oxyrhynchus was on the Bahr Yussef, a canal that ran parallel to the Nile, placing it and its papyrus beyond the Nile’s yearly floods.

In the 300s churches and monasteries suddenly sprang up at the edge of town. The bishop boasted of 10,000 monks and 20,000 virgins.

In 1896 two archaeologists from Queen’s College, Oxford arrived: Bernard Pyne Grenfell and Arthur Surridge Hunt. It was those 20,000 virgins that drew them there. They were looking for the earliest Christian writings and Oxyrhynchus seemed to have deep Christian roots. They were right.

Christian writings at Oxyrhynchus of which more than one copy has been found so far, in whole or in part:

  • 15 Matthew
  • 14 John
  • 13
  • 12
  • 11
  • 10 Shepherd of Hermas
  • 9
  • 8
  • 7 Psalms
  • 6
  • 5 Genesis, Romans, Revelations
  • 4 James
  • 3 Thomas, Hebrews, Galatians, Acts
  • 2 Luke, Exodus, Leviticus, Judith, Tobit, 1 Peter

The ones in italics, Thomas and the Shepherd of Hermas, did not make it into the Bible.

Gospels: In addition to Matthew, Mark, Luke and John of the Bible, they found gospels of Thomas, Peter, James, Mary Magdalene, and two that are simply known by their catalogue numbers: Oxyrhynchus 840 and Oxyrhynchus 1224.

Other lost books: They found other lost books too, like “The Constitution of Athens” (a lost work of Aristotle), several lost plays of Menander and one of Sophocles, and what seems to be the “Hellenika” of Cratippus, etc.

– Abagond, 2019.

See also:

552

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Carrie Lucas: Dance With You

Remarks:

I remember this song, even some of the lyrics! In 1979 it went #27 on the US R&B chart and #70 on the pop chart. It was also on the first record I ever bought: “Winners” (1980), produced by Frankie Crocker, a DJ on WBLS in New York.

I no longer have the record and have not played it since the 1980s, so I have no idea how I know that the song was on it, but so it was:

The links are to the songs that have appeared in this space before.

See also:

Lyrics:

Dance with you
Dance with you
Dance with you
Dance with you

Dancing with you
Is all I want to do

Can’t get you off my mind
Want to be with you all the time

(Dance with you)
Come on and dance with me baby
(Dance with you)
Make romance with me baby
(Dance with you)
I’m gonna I’m gonna
(Dance with you)
‘Cause I want to I want to

Dancing the night away
Keep going to the break of day
Oh what I love can’t you see
Please come and go with me

(Dance with you)
I’ve gotta keep dancing
(Dance with you)
Hey
(Dance with you)
Whoo whoo whoo whoo
(Dance with you)
I need ya I need ya

(Dance with you)
Have fun with me
(Dance with you)
I’m gonna sing while I swing with ya
(Dance with you)
Come on and ho ho ho
(Dance with you)
I like it I like it

Dancing with you
Is all I want to do
Can’t get you off my mind
I want to be with you all the time

Dance with you
I want to stay with you boy
Dance with you
So I can play with you boy
Dance with you
Feels real good now
Dance with you
So good so good

Dance dance dance dance dance dance dance with you
I want to I want to I want to
Dance dance dance dance dance dance dance with you
I need ya I need ya I need ya
Dance dance dance dance dance dance dance with you
I’ve gotta I’ve gotta I’ve gotta

Show me the funk
Will make you jump
Dance with you

Show me the funk
Will make you jump
Dance with you

Show me the funk
Will make you jump
Dance with you

Show me the funk
Will make you jump
Dance with you

Dance dance dance dance dance dance dance with you
I want to I want to I want to
Dance dance dance dance dance dance dance with you
I need ya I need ya I need ya
Dance dance dance dance dance dance dance with you
I’ve gotta I’ve gotta I’ve gotta

Source: Genius Lyrics.

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