Norman Rockwell, "The Problem We All Live With" (1964) - click to enlarge
“The Problem We All Live With” (1964) is arguably the best Norman Rockwell painting ever. It shows Ruby Bridges, a six-year-old black girl, walking to school – with four guards. It is 1960 in New Orleans. It is the first time a black child is going to an all-white grade school in the American South.
John Steinbeck was there. He wrote about it in “Travels with Charley in Search of America” (1962):
The big marshals stood her on the curb and a jangle of jeering shrieks went up from behind the barricades. The little girl did not look at the howling crowd but from the side the whites of her eyes showed like those of a frightened fawn. The men turned her around like a doll, and then the strange procession moved up the broad walk toward the school.
But Ruby Bridges was not the main attraction:
The papers had printed that the jibes and jeers were cruel and sometimes obscene, and so they were, but this was not the big show. The crowd was waiting for the white man who dared to bring his white child to school.
When the white man and the white child arrived:
A shrill, grating voice rang out. The yelling was not in chorus. Each took a turn and at the end of each the crowd broke into howls and roars and whistles of applause. This is what they had come to see and hear.
No newspaper had printed the words these women shouted. It was indicated that they were indelicate, some even said obscene. On television the sound track was made to blur or had crowd noises cut in to cover. But now I heard the words, bestial and filthy and degenerate. In a long and unprotected life I have seen and heard the vomitings of demoniac humans before. Why then did these screams fill me with a shocked and sickened sorrow?
White women shouting not at Ruby Bridges but at Elizabeth Eckford three years earlier when the high schools in the South desegregated
The painting is about racism: Rockwell calls it “The Problem We All Live With”. Yet racism remains faceless. We do not see the faces of the white women shouting indelicate things. And neither Steinbeck nor the newspapers nor the television stations would let us know what they were.
While both Steinbeck and Rockwell clearly condemn racism, it is the racism of open hatred, the Klan-and-n-word sort of racism. Rockwell even has “KKK” and “nigger” written on the wall. Untouched is the racism common back north where they lived, the racism that created white flight, bad schools and high crime rates.
All the same, for Rockwell this picture was a huge step. It was like Nixon going to China or Walter Cronkite condemning the Vietnam War: Rockwell was so famous for painting whitewashed pictures of Apple-pie America, almost to the point of parody, that it made this picture that much more powerful. He even painted it in a more true-to-life style, yet it is still clearly Rockwellian.
The cracked American flag you can make from of her schoolbook and the running tomato strains
The picture, currently in 2011, hangs in the White House, just outside President Obama’s office.
President Obama views "The Problem We All Live With" with Ruby Bridges.
See also:
- Elizabeth Eckford – who went through the same thing as Ruby Bridges when high schools in the South desegregated three years before. Not painted by Norman Rockwell.
- Apple-pie America
- white flight
- Jim Crow racism
- colour-blind racism
- Twilight Zone: Beauty is in the Eye of the Beholder – which first appeared on television three days before the scene in the painting took place
The Rockwell painting is a powerful one. The photograph of President Obama viewing it with Ruby Bridges is powerful and stirring.
Great post.
I absolutely love that painting. I plan to purchase a copy for my home. I’m ashamed to say that I was an adult before I learned about Ruby Bridges and what little Black children like her had to go through to be able to attend White schools. To think some folks want to rely on reasonable, White historians to give us an accurate view of history. Bullocks!
Oh wow. I have never seen this painting in full meaning I’ve only seen the cropped version of Ruby Bridges walking. I didn’t know that awful n-word was in the painting.
It is a beautiful painting and a tragic reminder of what our country was like back then. Like leigh204, many people have never seen the picture in its entirety and don’t know its significance. Thanks for the post Abagond.
@leigh204 – Nice new picture!
This really is a powerful piece of art.
@Claude Jordan:
Yes, I’ve only seen the cropped version and all this time I thought it was a young child making her way to school. Little did I realize, how much this child had endured such racial hostility and opposition while doing so.
Hey, thanks!
Art.
First time having the flag pointed out in the painting. My former elementary school was built on the same property as the former segregated school. The former school building was small and still remained intact at the rear of the newer one. Interestingly, it left us with 2 playgrounds, with the older one considered the better one.
One of the things I’ve always liked about this painting is that all of the figures are at the beginning of a walk cycle (contact position), and while all of the white figures are in lockstep leading with the left, Ruby leads with her right. She shines like a star, truly heroic.
It’s a good painting. I wish Rockwell had done more stuff like this.
(Somewhat related, the original Rosie the Riveter is at my local art museum right now and you really can’t tell how great these paintings are until you’ve seen them in person. The guy was a master.)
I think of many of the hundreds of children, who may have done the walk, never the less had life made difficult in school.
Wow.. I must say that is a deep picture. One doesn’t have to use captions or audio to convey the message behind it. Like Sepultura13 said,even though Obama wasn’t the artist’s painting subject at that time I just find that to be eerily coincidental.
This may sound strange, but I’ve seen this picture many times but never noticed the “N” word on the wall or the smashed tomato until now.
This is amazing. Your whole blog is amazing.
one of my favorites
I’d seen this painting before but had no idea that it is now in the White House.
[...] A little over fifty years ago, US Marshals escorted a six-year-old Ruby Bridges to her first day of class, helping her to become the first black child to attend an Southern all-white elementary school. A new teacher named Barbara Henry was brought in, as all of the school’s existing teachers refused to work as long as a black child was in attendance. That walk to school was the subject of a Norman Rockwell painting, The Problem We All Live With. [...]