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The following is based mainly on Robert Jensen’s article “What White People Fear” (2010). Jensen, a professor of journalism at the University of Texas at Austin, is one of the most notable white anti-racists alive  in America.

Despite the civil rights movement of the 1950s and 1960s, which overturned racist laws in America and brought an end to its apartheid, whites and blacks are still clearly unequal on things as simple as home ownership, education and even infant mortality. Change has been slow over the past 40 years, so slow that at present rates it will take tens if not hundreds of years for whites and blacks to become equal.

Why is change so slow? After writing and speaking about racism for more than ten years Jensen concludes that it is fear: whites on both the right and the left are afraid of living in a world without racism.

On the right whites are afraid of losing white privilege, what some call “our way of life”. It would mean giving up wealth and power. Even poor whites, who see very little of said wealth and power, agree. Yes, they are that brainwashed by the rich, who have long used race to divide the poor against each other.

On the left it is a bit different. They talk the talk – equality blah blah diversity blah blah multiculturalism blah blah – but do not walk the walk. They say the right things but have done precious little to change anything.

In the end whites on both the left and the right believe the same thing: “I’m white and I’m special.”

At the heart of their fears is a “fragile sense of white self-importance”. Their history runs with blood: they did not get to where they are through fair play but through naked violence. Whites do not want to face up to it but at some level they all know it is true.

Whites have opened up some of their institutions to people of colour in the name of diversity, but only to the degree that whites feel comfortable and only on their terms. So it is no accident that power and control still lies largely in white hands. Diversity becomes window dressing, not a change in the power relationship between whites and others.

Jensen himself knows first-hand that it is hard for whites to give up control to those who are not white, to those who do not share a white-centric worldview.

Hard but worth it:

I have a choice: I can be white — that is, I can refuse to challenge white supremacy or centrality — or I can be a human being. I can rest comfortably in the privileges that come with being white, or I can struggle to be fully human. But I can’t do both. Though the work is difficult, the choice for those of us who are white should be easy.

See also:

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Remarks:

Ms Badu walks through Dallas where President Kennedy was shot.

Lyrics:

so, presently I’m standing
here right now
you’re so demanding
tell me what you want from me
concluding
concentrating on my music, lover and my babies
makes me wanna ask the lady for a ticket outta town…

so can I get a window seat
don’t want nobody next to me
I just want a ticket outta town
a look around
and a safe touch down
can I get a window seat
don’t want nobody next to me
I just want a chance to fly
a chance to cry
and a long bye bye..

but I need you to want me
I need you to miss me
I need your attention, yes
I need you next me
I need someone to clap for me
I need your direction
somebody say come back
come back baby come back
I want you to need me
come back come back baby come back
come back come back baby come back
come back come back baby come back

so, in my mind I’m tusslin’
back and forth ‘tween here and hustlin’
I don’t wanna time travel no mo
I wanna be here
I’m thinking
on this porch I’m rockin’
back and forth light lightning hopkins
if anybody speak to scotty
tell him beam me up..

so can I get a window seat
don’t want nobody next to me
I just want a ticket outta town
a look around
and a safe touch down
can I get a window seat
don’t want nobody next to me
I just want a chance to fly
a chance to cry
and a long bye bye..

but I need you to miss me
I need somebody come get me
I need your attention
I need your energy
I need someone to clap me
I need your direction

somebody say come back
come back baby come back
come back come back baby come back
come back come back baby come back
come back come back baby come back

but can I get a window seat
don’t want nobody next to me
I just want a ticket outta town
a look around
and a safe touch down…

I just wanna chance to fly
a chance to cry
and a long bye bye…

They play it safe, are quick to assassinate what they do not understand. They move in packs ingesting more and more fear with every act of hate on one another. They feel most comfortable in groups, less guilt to swallow. They are us. This is what we have become. Afraid to respect the individual. A single person within a circumstance can move one to change. To love ourself. To evolve.

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Some white people tell me I see racism in everything. I used to think it was just a way to dismiss what I was saying. But even whites who are otherwise serious about the subject of racism say it, so it is not merely just a way to get me to shut up.

First of all, I do not see racism in everything. While I do think that racism in America, both white racism and internalized racism, is far from dead, I doubt it accounts for everything. For example, I think fatherlessness and having children out of wedlock have little to do with racism – both were far lower among blacks in the 1950s when racism was worse. And both have knock-on effects on the rates of crime and poverty on top of the effects of racism.

But I do not talk much here about supposed black pathologies because they get more than enough attention elsewhere. And because I know full well whites use them to get themselves off the hook: See, blacks create their own mess – it has nothing to do with us!

Yet compared to most white people I do seem to see racism in everything. Because they see racism in almost nothing. Because they have narrowed the meaning of the word to just a kind of personal hatred. Because it does not affect them in a bad way. Because they do not want to face up to the racism their lives have been built on.

In reading about this on other blogs, it seems that what persuades them that they are right and I am wrong is that most people agree with them, not me. But “most people”, in this case, are white people!

Why in the world would white people be a better judge of racism in American society than black people? That would be like saying men are a better judge of sexism or straight people are a better judge of homophobia. It would be like asking monks about sex or the rich about poverty.

Does that mean that blacks are right about everything they say about racism? Hardly. But it does mean they have a far better understanding of racism than most whites do. They have to – they are affected by it way more.

I am certainly not right about everything I say. I accept that maybe I see racism in too many things – or too few things (some say I am too soft on whites). I have gone back and forth on this issue myself.

But if you do not believe me the worst thing you could do would be to turn to white people or television. What on earth do they they know? But there are tons and tons of books and blogs written by living, breathing black people and other people of colour. Read those, the more the better, putting yourself into their shoes, and see for yourself how much of this stuff I am making up.

See also:

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Remarks:

I have never been a big Janelle Monae fan, but I like this song.

Lyrics:

Whoaaa
Another day
I take your pain away

Some people talk about ya
Like they know all about ya
When you get down they doubt ya
And when you dip it on the scene
Yeah they talkin’ bout it
Cause they can’t dip on the scene
Whatcha talk about it
T-t-t-talkin’ bout it
When you get elevated,
They love it or they hate it
You dance up on them haters
Keep getting funky on the scene
Why they jumpin’ round ya
They trying to take all your dreams
But you can’t allow it

Cause baby whether you’re high or low
Whether you’re high or low
You gotta tip on the tightrope
(Tip, tip on it)
T-t-t-tip on the tightrope
(Tip, tip on it)

Baby, baby, baby

Whether you’re high or low
(High or low)
Baby whether you’re high or low
(High or low)
You got to tip on the tightrope
(Tip, tip on it)
Now let me see you do the tightrope
(Tip, tip on it)
And I’m still tippin’ on it

See I’m not walkin’ on it
Or tryin to run around it
This ain’t no acrobatics
You either follow or you lead, yeah

I’m talkin’ bout you,
I’ll keep on blaming the machine, yeah
I’m talkin’ bout it,
T-t-t-talkin’ bout it
I can’t complain about it
I gotta keep my balance

And just keep dancin on it
We gettin funky on the scene

Yeah you know about it,
Like a star on the screen
Watch me tip all on it

Then baby whether I’m high or low
(High or low)
Baby whether you’re high or low
(High or low)
You gotta tip on the tightrope
(Tip, tip on it)
Yeah, tip on the tightrope
(Tip, tip on it)

Baby, baby, baby

Whether you’re high or low
(High or low)
Baby whether you’re high or low
(High or low)
Tip on the tightrope
(Tip, tip on it)
Baby let me see you tight rope
(Tip, tip on it)
And I’m still tippin’ on it

Big Boi
You gotta keep your balance
Or you fall into the gap
It’s a challenge but I manage
Cause I’m cautious with the strap
No damage to your cameras damn I thought that
Can I passy
Why you don’t want no friction
Like the back of a matchbook
That I pass as I will forward you
And your MacBook
Clothes shows will shut you down
Before we go-go backwards
Act up, and whether we high or low
We gonna get back-up
Like the dow jones and nasdaq
Sorta like a thong in an ass crack,
Come on

I tip on alligators and little rattle snakers
But I’m another flavor
Something like a terminator
Ain’t no equivocating
I fight for what I believe
Why you talkin’ bout it
S-s-she’s talkin’ bout it
Some callin me a sinner
Some callin me a winner
I’m callin you to dinner
And you know exactly what I mean,

Yeah I’m talkin bout you
You can rock or you can leave
Watch me tip without you

N-N-Now whether I’m high or low
(High or low)
Whether I’m high or low
(High or low)
I’m gonna tip on the tightrope
(Tip, tip on it)
MMMMMM
(Tip, tip on it)

Baby, baby, baby
Whether I’m high or low
Goblogtainment
(High or low)
High or low
(High or low)
I got to tip on the tightrope
(Tip, tip on it)
Now baby tip on the tightrope

You can’t get too high
(You can’t get too high)
I said you can’t get too low
(We can’t get too low)
Cause you get too high
(You can’t get too high)
No you’ll surely be low
(No, you’ll surely be low)
1, 2, 3, Ho!

Yeah, yeah
Now shut up, yeah
Yeah, Now put some voodoo on it
Ladies and Gentlemen the funky is on section in the tribalist
Yeah, OH
We call that classy brass

Ohhhhhhh
OH!

Do you mind?
If I play the ukulele
Just like a little lady
Do you mind?
If I play the ukulele
Just like a little lady
As I play the ukulele
If I play my ukulele
Just like a little lady

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Remarks:

Pras’s take on the old U2 song with Sharli McQueen singing.

Lyrics:

[Sharli McQueen]
What I wanna do
Uhh, uhh, one two one two c’mon
One two one two c’mon
Yo, c’mon, yo
Movin around the world and daydream of days that money brings
Chasin material assumin that it’s happiness inside
You think that you could buy a better life, no matter the price
But you stillllll, haven’t found, what you’re lookin forrrrrrrr
And you stillllll, haven’t found, what you’re lookin forrrrrrrr
Haven’t found what you’re lookin for

[Pras Michel]
Yo it’s official now, I’m your, freedom fighter
If you feelin what I’m feelin people, put up your lighters yeah
Get in my cypher yeah, get in the grind
And I won’t stop rockin through the world seen the shine
Because I been many places, seen many faces
Shook many hands and mixed with many races
From nowhere to Bombay, did it my way
Got my style from the ghetto, took it straight to Broadway
Spit these bars cause in the hood I’m the instrument
Been around the world I stepped on seven continents (that’s right y’all)
20 millions later, I settled the score
They got money for war but can’t feed the poor

[Sharli McQueen]
And you stillllll, haven’t found, what you’re lookin forrrrrrrr
And you stillllll, haven’t found, what you’re lookin forrrrrrrr
One two one two one two c’mon
I’m stayin love you, but you don’t notice me (c’mon)
Diamonds and fancy cars, female celebrities all the time
You give away the things you say was mine, chasin the shine
But you stillllll, haven’t found, what you’re lookin forrrrrrrr
And you stillllll, haven’t found, what you’re lookin forrrrrrrr
Yo, haven’t found what you’re lookin for

[Pras Michel]
We gotta, make a move, by any means necessary
From January and January to January
Look out my window it’s a robbery
People still put they ones in the lottery
Big fish always try to eat the small fish
They do anything just to get their last wish
War in the East, there’s war in the West
War down South I stay war ‘pon the rest
As it’s been said, let it be done
And there’s nothing new underneath the sun
So we preserve what’s destined to come
And share our thoughts and blessings with our daughters and sons

[Sharli McQueen]
And you stillllll, haven’t found, what you’re lookin forrrrrrrr
And you stillllll, haven’t found, what you’re lookin forrrrrrrr
Haven’t found what you’re lookin for

[Pras]
Guerilla baby!

[Sharli McQueen]
Haven’t found, oh no no no

[Pras]
Ah, yeah, alright
What, what, guerillas

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Black and White Americans read this blog very differently

How to read this blog like many White Americans seem to:

  1. “Whites”: Imagine the word “all” before each use of the word “whites”. This is a special rule of White American English that does not appear in any grammar book.
  2. “Evil”: If “whites” and “evil” appear in the same sentence, imagine the word “uniquely” before the word “evil”. Or even “pure”. Or both.
  3. “Racist”: If the words “whites” and “racist” are in the same sentence, then do not even trouble yourself with reading the rest of the post – just jump down to the comments and start acting offended. Try it! Remember, only white  nationalists and those who use the n-word can possibly be racist. All other whites are Well Meaning, Basically Good and Would Know If They Were Racist. Blacks would have no idea because they cannot read minds.
  4. General statements about whites: these are racist and therefore false. Because whites are individuals, because to see colour in the first place is racist, because to make general statements about a race is stereotyping, a part of racism.
  5. White is right: so Abagond must be wrong. Even if you cannot say why.
  6. Abagond hates whites: This follows from #5 because what other reason could there be for him to say bad stuff about whites?
  7. This is a Bash Whitey blog: which follows from #6. Abagond hates whites so much that he wants to make them to look bad or feel bad. Clearly that is his whole reason for blogging.
  8. Stereotype his position.Here are some of the choices:
    • Playing the race card
    • Whining
    • Advanced Whining
    • Whites are pure evil (white devils)
    • Living in the past

    If he sounds kind of like he saying one of these then he is.  After all, Black America is capable of maybe six different opinions at once. If that.

  9. He is an Ungrateful Darkie: He does not seem to know that Progress Has Been Made and that blacks in America have it so much better than in Africa. Point this out to him!
  10. When he tells about a personal experience:
    1. If you or any white person you know has had the same experience then say, “It happens to whites too!” Even if you have to stretch it.
    2. Otherwise he must be making it up just to make whites look bad. What else could it be?
  11. If he says something bad about whites, get upset. Take it personally. Clearly he does not know how to talk to white people, so there is no reason to take him seriously.
  12. Your feelings are more important than anything in the post, even the stuff he talks about that affects 40 million Americans – if not the whole country. Or much of the English-speaking world. But what is that compared to your feelings?
  13. The most important rule of all: Never ever try to understand what he is saying from his point of view. Why would you? What is the point? White is right, remember?

See also:

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The following is taken from a wonderful post by Ankhesen Mie about the tea baggers, edited down to 500 words by me:

Protesters go spitting and hurling racial slurs and surprise, surprise, we’re told not to pay attention. It’s an “isolated incident”. It doesn’t “mean” anything.

Yeah… and we’ve never heard that one before. As blogger Field Negro writes:

Poor James Clayburn, I saw my man on CNN this evening and he still looked scared. He told Wolf Blitzer that he was having flashbacks to those civil rights days. He said that he looked in the eyes of the tea baggers and saw the same hatred he saw back then. Yeah, that kind of hate just doesn’t happen overnight with the passing of a bill, Jim. No sir, that hate has been there all along. It’s just been hiding under the surface and waiting to come out.

In the meantime, I’m having flashbacks of my own.  Flashbacks to teary, screamy temper tantrums in 2008 – you all remember 2008, don’t you? Remember all the “isolated incidents and comments” back then? All that racist bullshit that wasn’t “really racist” and so we weren’t supposed to really talk about it or even show it on TV in-depth? You recall that “tiny, insignificant minority” of white folks we were supposed to simply laugh at and pretend didn’t really exist? Did you really think those people just vanished off the face of the earth?

And white people, I’m just… you know… I’m… *shakes head*… I’m actually quite proud of some of you.

If I go to Google right now and type in “tea party racist”, I will see a lot of white folks calling the Tea Party out. And they’re not talking that “politically incorrect” or “highly inappropriate” shit – they’re calling it racist and not trying to excuse or defend it in any way. And kids, that’s how you deal with racism. You call it out; you name it accurately and you expose it. You denounce it unequivocally and then you fight back.

These are not children, folks; ignoring their bad behavior won’t make it go away.

So from hereon out, white folks, I don’t want to hear any more, “Well, yeah… but you have to understand…” nonsense. Those are not fighting words. Those are roll-over-and-surrender words. So are “isolated incidents”. And “we’re not all like that” – we’re not talking about all of you. We’re talking about your racists, and we’re talking about all of them. So if you’re thinking strictly KKK, Stormfront, and neo-Nazis, you need to quit bullshittin’ and start accepting the unpleasant reality of things.

The Tea Party has revealed one of the ugliest faces of Average White America for all the world to see.

It has confirmed the often derailed testaments of POC about racism in America. It has confirmed every acrimonious observation from other nations about the so-called “Ugly American”. It has aired Average White America’s dirty laundry, flung wide its closet doors and unleashed all its skeletons.

Read the whole post here.

See also:

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Remarks:

Keke Wyatt’s cover of the old Patti LaBelle song.

Lyrics:

I must have rehearsed my lines a thousand times,
Until I had them memorized.
But when I get up the nerve to tell you,
the words that never seem to come out right. ohh

[Chorus:]
If only you knew how much I do,
do love you, oh.
If only you knew,
how much I do, do need you.

I dream of moments we share, but your not there,
I’m living in a fantasy.
but you don’t even suspect,
could probably care less,
about the changes I been going through.

If only you knew how much I do,
do love you, oh.
If only you knew,
how much I do, do need you.
play on

No, you don’t even suspect,
Could probably care less,
about the changes I been going through.

If only you knew how much I do,
do love you, oh.
If only you knew,
how much I do, do need you.

Oh, if, if
Oh, You don’t know how much u don’t know
I said you don’t know,
how much I need you sugar,
only you knew,
how much I do,
I love you baby, only if u knew how much i do,
i love u baby, i need u baby

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Remarks:

Not sure what this song is about, but I still love it.

Lyrics:

Humdi Lila Allah Jehova Yahweh Deos Ma’ad
Jah Rastafara Fire Dance Sex Music, Hip-Hop
it’s bigger than religion Hip-Hop
it’s bigger than my nigga Hip-Hop
it’s bigger than the government
This one is for Dilla, Hip-Hop

We ain’t dead said the children
don’t believe it we just made ourselves invisible
Underwater stovetop, blue flame, scientists come out with your scales up
get baptized in the ocean of the Hungry
My niggas turn in to gods
walls come tumbling…..

Humdi Lila Allah Jehova Yahweh Deos Ma’ad
Jah Rastafara Fire Dance Sex Music, Hip-Hop
it’s bigger than religion Hip-Hop
it’s bigger than my nigga Hip-Hop
it’s bigger than the government
This one is The Healer, Hip-Hop

told you we aint dead yet
we’ve been living through your internet
you don’t have to believe everything
you think we’ve been programmed, wake up
we miss you.
they call you Indigo, we call you Africa.
go get baptized in the ocean
say re-boot, re-flush, re-start
fresh page, new day, OG, New Key

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Is America still genocidal? According to the Teflon Theory of White History the answer is no: the last full-blown genocide was in the 1800s. That was too long ago, so it has absolutely no effect on the present. To prove your case you need to provide Recent Examples:

  • Because wiping out over a million people could not possibly affect White American ideas about race and human worth. Or be a sign of how screwed up they might still be;
  • Because enjoying the material fruits of said genocide could not possibly cause a serious case of Moral Blindness in which white people turn a blind eye to the very faults that led to genocide.

Genocide is a crime. And like with other crimes, those who have done it once are more likely to do it again. Sudan has carried out two genocides in my lifetime. Ethiopia and what used to be Yugoslavia are also repeat offenders.What about America?

Genocides unfold in eight stages:

  1. Classification: the division into “us and them”. Example: Asking an Asian American what country he is from.
  2. Symbolization: applying symbols to the them to mark them out as pariahs, as objects of hate. Examples: black skin, yellow stars, race or religion on ID cards.
  3. Dehumanization: seeing the pariahs as not truly human. Example: the word “nigger”.
  4. Organization: training and arming. Example: the Ku Klux Klan.
  5. Polarization: silencing the voices in the middle that still stand up for the pariahs. Example: calling whites who stand up for blacks “nigger lovers”.
  6. Preparation: separating the pariahs from everyone else. Examples: ghettos, prison camps.
  7. Extermination: mass killings. Example: the Holocaust.
  8. Denial: dispute the numbers, blame history, see it as “natural”, derail discussions about it, etc. Examples: The comments on this post?

The first step is “natural”, as Americans would put it, meaning it is common to all human societies. It is when it moves beyond Stage 1 that something is going seriously wrong.

White America has gone beyond Stage 1 not once but at least three times:

  • Stage 7: 1600s to 1800s: Native Americans
  • Stage 5: 1870s to 1950s: blacks
  • Stage 6: 1940s: Japanese Americans

Where different sorts of Americans are now:

  • Stage 0: whites
  • Stage 1: Asians, Mexicans, Muslims
  • Stage 2:
  • Stage 3: blacks
  • Stage 4:
  • Stage 5:
  • Stage 6:
  • Stage 7:
  • Stage 8: Native Americans ?

Jews I would put at 0.6, Muslims, at 1.8.

I am not sure if Native Americans are an 8: I put them there because in my experience whites are not comfortable talking about it and try to derail. If you cannot admit to a fault there is little chance of change. Like a drunk who thinks he is not a drunk.

But even apart from that, you still have blacks at 3. Deep down whites think of blacks as monkeys. That makes it easier to kill them or, what is most commonly the case, to stand by and do little when they die in large numbers, as during the heroin and crack epidemics and the high murder rates that followed.

See also:

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White Americans seem to apply special rules when reading about history or the news. Since I was not invited to the Secret Course on Whiteness, I have to piece together the rules and ideas based on observation of White Americans. This is very much a work in progress.

Rules & Important Concepts:

  1. Black people do bad things because they are black. When white people do bad things it is because they made a mistake, got passed over at work, had a bad childhood, need help or whatever. Apart from a few bad apples, it never has to do with race. Because whites are not affected by their race. But blacks are: they have dark, savage hearts that drives some of them to rape and murder and other cruel and senseless things for no particular reason. Because that is how black people are.
  2. Savage Black Rule: Africa is screwed up because blacks are incapable of self-rule. Look at Zimbabwe!
  3. Black pathologies: black ghettos are screwed up because black people are screwed up.
  4. The Teflon Theory of White History: Anything that took place over 30 years ago is Ancient History. It has Absolutely No Effect on the present. Unless it was something good like the light bulb or the Declaration of Independence. Otherwise white people are only affected by history through their families, nothing else, and for not more than a generation. So even Jim Crow is now Ancient History, just like the Battle of Thermopylae.
  5. Living in the Past: anyone who disagrees with Teflon Theory.
  6. Dead Indian Land: a place that it is bad manners to talk about and dangerous to think about.
  7. Basically Good – what white people are despite their ugly past. Because of Teflon Theory they are not only protected from the ugly side effects of genocide, Jim Crow and slavery (what black people call “racism”), but even from the Fall of Adam (what Christians call “original sin”). So when whites do something bad it is not evil – just a well-meaning mistake.
  8. “It was the times” – yes, white people did do some terrible things in the past, but since whites are Basically Good it must have been the times. Unless:
  9. “Arab traders did it too!” – It is a rule with White Americans that if Arab traders did something, then it is morally all right – or at least Not All That Bad.
  10. Just World Doctrine: America is basically just because it is run by white people who are Basically Good. That means they exercise power, both home and abroad, fairly and for the good of all.
  11. Love to Complain – what black people do despite the Basic Goodness of society (see Just World Doctrine) and despite the fact that it is Not As Bad As It Used To Be (over 30 years ago).
  12. White people understand racism better than blacks – because blacks Love to Complain.
  13. Read mainly White American writers. They are more fair-minded than black or foreign writers.

– Abagond, 2010.

See also:

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equality

IQ and income map of the world (click to somewhat enlarge!)

Equality means that all people are born equal and should have equal rights.

Jefferson said it best:

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. – That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed.

Understanding “men” in the sense of “human”, not “male”.

Not everyone believes in equality. For example, some think that whites are better than blacks. Those who blog about it, like Steve Sailer or Guy White, try to prove this by showing that whites have more intelligence or wealth than blacks.

First, their arguments have huge holes in them. For example:

  • The intelligence argument is based on whites having higher IQs or a longer list of inventions:
    • But IQ tests cannot be trusted – unless you believe that Muhammad Ali (IQ 78) and Andy Warhol (IQ 86) lacked intelligence to a noticeable degree.
    • The inventor argument, if applied fairly to all history and not just choice bits of it, like the one we live in, favours the Chinese (Asian) and Egyptians (40% black), not whites.
  • The wealth argument assumes that achievement is based on merit, that luck and power and naked violence have nothing to do with it, that wealth and poverty do not each have a snowball effect. If there were no North America, one of the biggest pieces of luck in history, most white Americans would be living in the slums of Europe. Everyone knows that. Thus their “merit”.

In short, if whites were truly that much better than everyone else, they would have been on top all throughout history, not just parts of it.

Second, even if you grant these arguments about wealth and intelligence they fail at a much more profound level: equal rights are based on human worth and human worth cannot be measured. No human being can be baked down to a number – their IQ, their bank account, their whatever. To do so is profoundly dehumanizing, turning humans into little more than talking animals or bank machines. Anyone who has ever lost a child – or dated a gold digger – knows that. In fact, most people know it.

That is why racists do not drive their arguments to their logical conclusions:

  1. If IQ is so important and so trustworthy, then why not aristocracy? Why not give all the top positions to those with the highest IQ? Why have elections? Why have job interviews or resumes? Why not have birth licences or sterilization based on IQ?
  2. Likewise, if wealth is such a wonderful measure of who is better or worse, then why not plutocracy? Why not give public offices to the highest bidder? Why bother to hold elections? Why not have a huge maternity tax so that the poor do not have “too many” children?

Etc.

See also:

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GQ: I Do Love You

Remarks:

This song went to #5 on the American R&B charts in 1979. It is a cover of an older doo-wop song – the backing singers even sing “shoo-be-do doo-wop” in the song! Through the magic of YouTube I know that Barbara Mason (“Yes, I’m Ready”, 1965) did this song.

Lyrics:

I do love you, ooooh
But it’s alright, alright, aaah

(I do love you)
(I love you, I love you)
I love you so right now
(Ooh-ho-ho-ooh)
My my baby, hey, yeah
Little darlin’ I said
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)
I love you so right now
Never, never gonna let
Gonna let, gonna let you go, na-na-na
Pretty little baby
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)
I say, I want you to try to understand
That I, I want to be your lovin’ man, babe
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)

My baby, I love you so
And I don’t want you to go, no, no
Why don’t you listen to me, ya
I’m beggin’ you on bended knees

(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)
My girl, I prayed that your love
It would come to me
Someday
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)
Because I love you so, babe
You’re about to drive me mad
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)
I love you so right now
Pretty baby, pretty baby
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)
I love you so right now
Oh, baby, I love you so
And I don’t want you to go
No, no, no, no, no, no
Why don’t you listen to me
I’m beggin’ you on bended knees
(I do love you)
(I love you, I love you, ooh-ho-ho-ooh)

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“You are the one keeping racism alive” means that talking about race helps to keep racism alive. That it would die a natural death if people just stopped talking about it. That I should stop talking about race and go back to writing about half-naked women or the Middle East or whatever it was I was writing about before race became a big subject on my blog. That I am causing more harm than good.

It is something white commenters often say on this blog. Yes, white. I cannot remember a black commenter or any person of colour ever saying that, not even the right-wing ones. That alone should make you wonder about where this thought is coming from.

And it goes beyond this blog:

  • Rush Limbaugh seems to think racism is kept alive by the “race industry”, by people like Al Sharpton.
  • Three-fourths of white parents do not talk to their children about race.

Some white beliefs that support this:

  1. Race is unimportant: race does not affect whites directly in a bad way. Unlike people of colour, they do not have to think about race unless they want to.
  2. Racism is dead: because it does not affect them, many whites think it has died away. It is just something in the history books: slavery, Jim Crow and all that.
  3. Noticing race is racist: many whites do not see the difference between being race conscious (knowing how race affects your life) and racism (looking down on people because of their race).
  4. If we do not talk about racism it will go away: an odd idea that no one thinks to apply to things like sexism, cancer, crime, dishonest government or any of the other ills of human life. What makes racism so different?

Blacks are one-eighth of America. They could not keep racism alive all by themselves even if they wanted to. They do not control the courts, the police, the newspapers, the schools and all the rest. But whites do.

Whites in America have five times more votes and 50 times more wealth. Like it or not, racism rises or falls with them. Racism goes on because they continue to be racist. It is that simple. There is no huge mystery about it. It does not fall out of the sky or come up through the cracks in the sidewalk. It comes from whites acting in racist ways – not from black people talking about whites acting in racist ways.

Some whites might say “you are keeping racism alive” because they hold to one or more the beliefs listed above, but the heart of the matter is that talking about race makes white people uncomfortable. Because deep down, whether they want to admit it or not, they know that they have an unfair position in society because of the colour of their skin. Instead of living right they would rather live a lie – like they have been doing to different degrees ever since slave days.

– Abagond, 2010.

See also:

520

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Love & Basketball (2000) is a Hollywood film, a love story starring Omar Epps and Sanaa Lathan. It was written and directed by Gina Prince-Bythewood (I will do a post on her). Lathan and Epps grow up next door to each other in the 1980s in Crenshaw, a black part of Los Angeles. They both love basketball – and, even when they do not want to admit it, each other. Basketball brings them together – and tears them apart.

This was the film that made Sanaa Lathan’s name and got Boris Kodjoe noticed (he takes her to the spring dance). Tyra Banks got a bit part but was already world-famous as a supermodel.

Gabrielle Union is in it too, then also pretty much unknown. She tried out for the lead but lost out to Lathan. Instead she got a part as one of Epps’s girlfriends. Union was to make her name that same year by starring in “Bring it On”, a cheerleader film.

Supporting characters: Debbi Morgan and Dennis Haysbert play Epps’s parents, Alfre Woodard plays Lathan’s mother.  In addition to the love story and the basetketball, the film shows Lathan’s relationship with her mother and Epps’s with his father. Debbi Morgan was great as a woman past her prime in a failing marriage.

The best scene except for the end was at the the spring dance: Lathan is dancing with Kodjoe and Epps is dancing with Union and they are playing Zapp and Roger’s “I Want to Be Your Man” (1987). Not only do I love that song but Lathan looked absolutely beautiful in that scene.

It is one of those movies I kept hearing about but never saw – till the other day. At the time it came out I had no reason to see it: I did not know Lathan then and my wife is no fan of Epps (too short?). I like Alfre Woodard but she is no big Hollywood star so I never know if she is in something until I am already watching it: “Hey, look, Alfre Woodard!”

It was a sweet story – though, truth be told, I would have probably watched it if it was just two hours of Sanaa Lathan breathing or waiting for a bus. If Halle Berry is bread, Sanaa Lathan is cake. With icing.

Lathan had played basketball only twice in her life before she got the part. They had to shoot the basketball scenes so you could not tell – partly by shooting the action from her point of view.

All the basketball players wear Nike shoes: because Nike had enough shoes from the 1980s for a period film. Prince-Bythewood, the director, tried to stay as in period as possible – though right in the opening scene set in 1981 she plays a song from 1983 (“Candy Girl” by New Edition). In the director’s commentary I found out that she knew that – she was just about the same age as the main characters in 1981 – but thought the song was too good to pass up.

– Abagond, 2010.

Family portrait from the film. Click to enlarge. From top to bottom: Harry Lennix, Sanaa Lathan, Regina Hall, Alfre Woodard.

See also:

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